In October of 1989, Maureen O’Leary was a student at UC Santa Cruz, a “cranky nineteen-year-old with very few friends, very little passion for anything or anyone.” At 5:03 on October 17, she was at her job at the Ace Hardware store in downtown Santa Cruz when the Loma Prieta earthquake struck and the building collapsed. She ducked under a desk and was spared: several other people in the same building were not. The event changed her instantly, and inspired the fictional narrative of her newly published novel The Ghost Daughter (Coffeetown Press,) in which the earthquake triggers an aftershock of discovery for two mothers and a long-ago abandoned daughter. Advance praise for The Ghost Daughter includes this from National Book Award finalist Karen Bender: “Maureen O’Leary excavates her characters’ hearts with precise honesty, exploring the ways connections between mothers and daughters, friends and lovers stretch, break, endure. A beautiful and moving book.” Maureen is the Stories on Stage Sacramento featured writer for July, and you can read her harrowing account of survival in her blog https://maureenolearyauthor.com/2016/07/01/the-day-i-died/. She’s also the author of the novels How to be Manly and The Arrow, She won Heyday Books’ Sacramento Valley Writing Contest for Poetry, and her short stories and poetry appear in Esopus, Night Train Journal, Brackish Vol. 2, Revolution John, Prick of the Spindle, The Gold Man Review, and in Shade Mountain Press’ anthology The Female Complaint: Tales of Unruly Women. She’s been featured in Sacramento Magazine, teaches at Christian Brothers High School, and lives in Sacramento with her husband and two daughters
Appearing with Maureen is editor and fiction writer Krista Minard. Krista’s short story “Resurgence” focuses on an earthquake of a more subtle kind: a memory that haunts a mother, who can’t separate it from fears for her pre-teen daughter. . Since 1994, Krista has been editor of Sacramento Magazine and of several bridal publications. As a fiction writer, her short stories and essays have been published in Susurrus, Paper Wings and Soul of the Narrator. She attended the Squaw Valley Community of Writers fiction workshop in 2011. She lives in Folsom with her husband, two nearly-grown daughters and two black cats.
Reading an excerpt from The Ghost Daughter will be Sacramento actress Elise Marie Hodge, a Stories on Stage favorite and owner of EMH Productions. a company dedicated to putting
time and energy into creative work as a producer, director, actor, and writer to
help facilitate opportunities for other artists in these same arenas. Elise has
produced, directed, acted and written over 20 shows for the stage in
Sacramento for the past six years, having last been seen in Goodbye Freddy by
Elizabeth Diggs at the Geery Theatre. She is currently in production for an
original work titled These Lonesome Roads by Dan Fagan for September of
2016. She has split her time equally between Los Angeles and Sacramento,
receiving awards along the way for her efforts in theatre, TV and film. She has
been a member of the 68 Cent Crew Theatre Company in LA for the last 10
years
Victoria Goldblatt will read “Resurgence.” She’s been a Sacramento performer for over 20 years in a variety of films, commercials, community theater and voice overs for TV and radio.. The former Casting Director for Stories on Stage in Sacramento, she was a member of the Steering Committee for the Sacramento’s Playwrights Collaborative for the past seven years.
Stories on Stage Sacramento at the Sacramento Poetry Center, Friday July 29. Doors open at 7PM, readings begin at 7:30. A $10 donation is suggested.
Now in its seventh season, Stories on Stage Sacramento continues to bring the best in literary fiction to a growing Sacramento audience. Featured writers for 2015 included Tobias Wolff, Elena Mauli Shapiro, Sharma Shields, Ann Packer, Karen Bender, Kathryn Ma, T. Geronimo Johnson, Bonnie ZoBell, Adam Johnson, and Naomi Williams. The lineup for 2016 includes Anthony Marra, Vendela Vida, Kim Stanley Robinson, Lori Ostlund, Mary Volmer, Maureen O’Leary, Jodi Angel, Bonnie Jo Campbell, and, in a new partnership with the Los Rios Community Colleges, an evening devoted to the best writing from their prize-winning literary magazines. As a completely volunteer organization, supported by donations, we’re proud of the fine writers we’ve brought to Sacramento, some of them for the first time, and we’re excited to continue to present more fine writing read by actors to Sacramento lovers of literature.
We don’t usually feature non-fiction at Stories on Stage Sacramento but these are compelling issues tackled in different ways by excellent writers. We’re excited to present these two very different uses of history as a jumping-off place. Mary Volmer is a Grass Valley, CA native and a much-praised writer of historic fiction (Crown of Dust and her just-published Reliance, Illinois.) Crown of Dust, set during the Gold Rush, earned a Publisher’s Weekly starred review and drew praise from The New York Times Sunday Review of Books for “investing her pioneers with piquant inner lives and a poker-faced lyricism.” Similar praise has arrived for Reliance, Illinois, published in May 2016: Booklist singled out its “rich cast of characters and well-evoked setting” and Publisher’s Weekly noted its “smart touches of humor.” Mary earned an MFA in Creative Writing from Saint Mary’s College. a master’s from the University of Wales, Aberystwyth, and has been awarded residencies at the Vermont Studio Center and Hedgebrook. She teaches at Saint Mary’s College and lives in the San Francisco Bay area.
Reading an excerpt from Reliance, Illinois will be Mallory Monachino. A newcomer to Stories on Stage, Mallory recently returned to Sacramento after a year spent in Los Angeles studying with renowned acting coach Doug Warhit. She was last seen on stage in Sacramento in the EMH production Look Back In Anger and was the female lead in the short film Labyrinth, written and directed by Lonon Smith. A former competitive synchronized swimmer, Mallory works as a yoga instructor.
Reading an excerpt from Engineering Eden: The True Story of a Violent Death, a Trial, and the Fight Over Controlling Nature is Matt Rives, an actor, musician, and stand-up comedian. In addition to several Stories on Stage readings, Matthew has played lead roles in Noises Off and A Comedy of Errors and has performed by invitation at Laughs Unlimited, The Sacramento Comedy Spot, and Luna’s Café. His notable roles include “Franz Liebkind” in The Producers and “Buck Barrow” in Bonnie and Clyde with Runaway Stage Productions. Matthew also played the role of “The Captain” in the world premier of Frankenstein with Resurrection Theatre. Most recently, he played the role of Tom/Narrator in Glass Menagerie by Tennessee Williams, Mr. Aarons in Bridge to Terabitihia, and Henry Higgins in George Bernard Shaw’s Pygmalion.
We’re excited and so, so pleased to bring you not one but two featured authors this month. Lori Ostlund and Anne Raeff are both powerful and lyric writers, partners for more than 20 years and now, married. Other things you should know about them: they once owned an antique shop called “Two Serious Ladies,” referencing the novel by Jane Bowles, they’re both teachers who work primarily with immigrants and each of them has won the Flannery O’Connor Award for Short Fiction, one of the most coveted short story prizes in America. And, most importantly for Sacramento lovers of great fiction, they’re making their first joint appearance at Stories on Stage Sacramento on May 27,2016.
Award-winning collection, The Bigness of the World (newly issued in paperback,) is this from Publisher’s Weekly. “…Ostlund’s artful prose is playfully complex and illuminating, evocative and unsentimental…each piece is sublime.” The collection also won the Edmund White Debut Fiction Award, and the 2009 California Book Award for First Fiction. After the publication of her debut novel After the Parade in September 2015, no less an authority than the New York Times praised it as “a powerful debut…provides considerable pleasure and emotional power.” The novel won starred reviews from Kirkus and Publisher’s Weekly, was on the “best books of 2015” list for both NPR and Buzzfeed, and was shortlisted for the Center for Fiction’s First Novel Prize.
In her praise for Anne Raeff‘s winning collection The Jungle Around Us, legendary Flannery O’Connor Award editor Nancy Zafris explains why she selected the work for the 2015 prize: “A wonderfully mature vision informs the stories of The Jungle Around Us, stories that risk being termed old-fashioned—if old-fashioned means ditching self-consciousness and cleverness and bringing back hard-earned intelligence and historical weight and putting them all under a single multicultural roof. The miracle of these stories is their ultimate simplicity and intimacy even as they weave together numerous global threads.” Anne’s stories and essays have appeared in the New England Review, ZYZZYVA, and Guernica, among other places. Her first novel, Clara Mondschein’s Melancholia, was published in 2002. She’s a child of immigrants and much of her writing draws on her family’s history as refugees from war and the Holocaust.
Ireland, a multidisciplinary veteran of the film, television and theater trade, with sixteen years as a working professional in both performance and technical roles. The son of noted ‘lit noir’ author Patrick Ireland, Ethan is a writer & director of several short films, and has worked as a voice actor and a performer for both stage and screen since 1995. Most recently he appeared in EMH’s productions of After Hours and An Almost Perfect Person. He has performed at Now Hear This: A Story and Music Performance Series produced by Atim Udoffia.
The short story “Chinese Opera” from Anne Raeff’s The Jungle Around Us will be read by Kristine David, a local actor and musician in Northern California. She has been seen on many Sacramento stages including: B Street Theatre (Provenance, Bob,) Capital Stage (Mauritius, Much Ado About Nothing,) Sacramento Theater Company (Pride and Prejudice, Romeo and Juliet) & Big Idea Theatre (Inventing Van Gogh, Complete Female Stage Beauty.)
Stories on Stage Sacramento is excited to present
nca without passport, money, or credit cards, she could choose refuge in the American Embassy – or she could accept as hers the identity of a stranger, given to her by a mysterious police official. Her choice at this moment, and the following choices she makes, drive the relentless narrative and exploration of both physical and emotional identity in this engrossing novel by our March featured writer, author ,editor and
Cooper , the recent winner of the Tupelo Quarterly Prose Open Prize, judged by Pulitzer winner Adam Johnson. Jame also received First Place in Short Short Fiction in New Millennium Writings, 2013, and Second Place in Essay in Literal Latte, 2014. His short stories and poetry have appeared or are forthcoming in The Manhattan Review, Oberon Poetry Magazine, Gold Man Review, KY Story, Temenos,, Paper Swans Press, Folia Literary Magazine, and in other journals and anthologies. A full-length collection of poetry, titled An Ocean Large Enough, is forthcoming from WordTech. His current proje
ct is a wild collection of short stories about fictionalized therapy. Cooper is a practicing psychologist, which profession, he says, has” shaped him to lean in unexpected winds, to hold fast or be swept away in wonder. There is always context, amplified or subdued, a language in the hands, in posture, in the pauses between words.”
eenage rebellion is nothing new. But when the teen is abandoned as a baby on the steps of a department store in China and handed over to her adoptive Chinese-American mother with the words “like eating. Like the Bowns” pinned to her blanket, the reasons for rebellion can be extraordinarily complicated and deep, and how that rebellion plays out can be devastating – and redeeming. Abandonment is the beginning for Ari, the main character in Kathryn Ma’s brilliant novel of self-discovery, The Year She Left Us. In a starred review, Publisher’s Weekly called the novel “…a sweeping success–a standout from the many novels about Chinese assimilation and the families of Chinese immigrants–with a fascinating protagonist….Ma implies that not all losses can be recovered….This is a family saga of insight, regret, and pathos, and it is not to be missed.” Recently issued in paperback, the book was featured in The New York Times’ “paperback row,” and named a “Best Book of the Year” by the San Francisco Chronicle.
