I’ll begin with an early warning: I can’t be objective about Bonnie Jo Campbell. I’m a fan. I love her dark, twisted, often funny stories and how she’s willing to take them as far as they will go, and then, even further. I love the sunny, ever-optimistic way she lives her life. I’m in awe of how she’s very serious and disciplined about her writing, but playful when it comes to presenting herself as a writer, despite her burgeoning reputation as a leading author of what’s been called “rural America’s postindustrial
landscape.” What other writer, compared to the great Flannery O’Connor, would show up at appearances for her short story collection Mothers, Tell Your Daughters with Flannery herself at her side, or rather a lifesize, cardboard version of Flannery?
Flannery won’t be with us when Bonnie Jo appears as the featured writer on Friday October 28 at Stories on Stage Sacramento, but she is bringing something just as fun – comics! The graphic artist Monica Friedman, a former student of Bonnie Jo’s (as am I – full disclosure) created six-panel versions of all sixteen stories in Mothers Tell Your 
Daughters, and we’ll have copies of the entire book at the event. “Daughters of the Animal Kingdom” is the story we’ve selected to be read, and here’s the graphic interpretation.
What else about Bonnie Jo? Nearly too much to report, and that’s just about her writing. Mothers Tell Your Daughters recently won the Great Lakes Independent Booksellers Association’s Great Lakes, Great Reads Award for Adult Fiction. She is also author of the novel Q Road and its prequel, the New York Times best-seller Once Upon A River. Her previous short story collection American Salvage was a finalist for the National Book Award AND the National
Book Critics Circle Award. Her first story collection, Women and Other Animals, won the AWP Award for Short Fiction. She’s a Guggenheim Fellow. She’s won a Pushcart Prize, the Eudora Welty Prize, and the 2009 CBA Letterpress Chapbook Award for her poetry collection Love Letters to Sons of Bitches. She teaches in the Low-Residency Program at Pacific University, and next spring, she will serve as the Mary Rogers Field and Marion Field-McKenna Distinguished University Professor of Creative Writing at DePauw University. When she’s not writing or teaching or making appearances or giving readings 
she tends to her two donkeys, Jack and Don Quixote, raises chickens, practices martial arts, rides her bike long distances, brings in the hay on her mother’s farm and makes an exemplary elderberry wine. She lives in Kalamazoo, Michigan with her husband, Christopher. www.bonniejocampbell.com.
It’s always a pleasure when a former “emerging” writer becomes a featured writer, and 
this month we are very happy to welcome back Kristin Fitzpatrick. Her first short story collection, My Pulse is an Earthquake, was published in 2015 by West Virginia University Press. Her work has appeared in Colorado Review, The Southeast Review, Best of Gival Press Short Stories, Epiphany, and Ventura County Star. Her writing has also been chosen for the Thomas Wolfe Fiction Prize and The New Short Fiction Series. She is the recipient of fellowships from the Jentel Artist Residency Program and The Seven Hills School. Originally from Michigan, she now lives in California and teaches writing at CSU Channel Islands. There’s more at her website www.kristinfitzpatrick.com
Our readers this month are two Stories on Stage audience favorites: Kelley Ogden and Tara Henry.
Kelley Ogden is an accomplished performer, director and producer whose work has been seen throughout the area. Co-founder of acclaimed fringe theater company, KOLT Run Creations, Kelley has performed with Capital Stage (most recently in How to Use A Knife and The Totalitarians,) Sacramento Shakespeare Festival, Main Street Theatre Works and Theater Galatea among others. Kelley earned her BFA in Performance from The Theatre School at DePaul University in Chicago.
Back for the 4th time at Stories on Stage, Tara Henry is a familiar face to local theatre-
goers. Recent performances include roles in Sense and Sensibility, Pride and Prejudice and The Fantasticks at Sacramento Theatre Company; Emma in The Behavior of Broadus at Capital Stage, and Dromio in A Comedy of Errors at the Sacramento Shakespeare Festival, among many other Shakespeare productions. She also appeared as a Fantasy Festival 28 cast member with the B Street Theatre.
Our featured writer for October
Bonnie Jo Campbell
author of Mothers, Tell Your Daughters
with Kristin Fitzpatrick
readings by Kelley Ogden and Tara Henry
Friday, October 28, 7:30 PM at the Auditorium at CLARA
(The E Claire Raley Studios for the Performing Arts)
a $10 donation is suggested
As we end our seventh season, Stories on Stage Sacramento continues to be proud of the excellence in literary fiction we have presented to a growing Sacramento audience. Last year’s featured writers included Tobias Wolff, Elena Mauli Shapiro, Sharma Shields, Ann Packer, Karen Bender, Kathryn Ma, T. Geronimo Johnson, Bonnie ZoBell, Adam Johnson, and Naomi Williams. This year we presented Anthony Marra, Vendela Vida, Kim Stanley Robinson, Lori Ostlund, Mary Volmer, Jodi Angel, Bonnie Jo Campbell, and, in a new partnership with the Los Rios Community Colleges, created an evening devoted to the best writing from their prize-winning literary magazines. As a completely volunteer organization, supported by donations, we’re elated by the fine writers we’ve brought to Sacramento, some of them for the first time, and excited to continue to present more fine writing read by actors to Sacramento lovers of literature.
In October of 1989, Maureen O’Leary was a student at UC Santa Cruz, a “cranky nineteen-year-old with very few friends, very little passion for anything or anyone.” At 5:03 on October 17, she was at her job at the Ace Hardware store in downtown Santa Cruz when the Loma Prieta earthquake struck and the building collapsed. She ducked under a desk and was spared: several other people in the same building were not. The event changed her instantly, and inspired the fictional narrative of her newly published novel The Ghost Daughter (Coffeetown Press,) in which the earthquake triggers an aftershock of discovery for two mothers and a long-ago abandoned daughter. Advance praise for The Ghost Daughter includes this from National Book Award finalist Karen Bender: “Maureen O’Leary excavates her characters’ hearts with precise honesty, exploring the ways connections between mothers and daughters, friends and lovers stretch, break, endure. A beautiful and moving book.” Maureen is the Stories on Stage Sacramento featured writer for July, and you can read her harrowing account of survival in her blog https://maureenolearyauthor.com/2016/07/01/the-day-i-died/. She’s also the author of the novels How to be Manly and The Arrow, She won Heyday Books’ Sacramento Valley Writing Contest for Poetry, and her short stories and poetry appear in Esopus, Night Train Journal, Brackish Vol. 2, Revolution John, Prick of the Spindle, The Gold Man Review, and in Shade Mountain Press’ anthology The Female Complaint: Tales of Unruly Women. She’s been featured in Sacramento Magazine, teaches at Christian Brothers High School, and lives in Sacramento with her husband and two daughters
Appearing with Maureen is editor and fiction writer Krista Minard. Krista’s short story “Resurgence” focuses on an earthquake of a more subtle kind: a memory that haunts a mother, who can’t separate it from fears for her pre-teen daughter. . Since 1994, Krista has been editor of Sacramento Magazine and of several bridal publications. As a fiction writer, her short stories and essays have been published in Susurrus, Paper Wings and Soul of the Narrator. She attended the Squaw Valley Community of Writers fiction workshop in 2011. She lives in Folsom with her husband, two nearly-grown daughters and two black cats.
Reading an excerpt from The Ghost Daughter will be Sacramento actress Elise Marie Hodge, a Stories on Stage favorite and owner of EMH Productions. a company dedicated to putting
Victoria Goldblatt will read “Resurgence.” She’s been a Sacramento performer for over 20 years in a variety of films, commercials, community theater and voice overs for TV and radio.. The former Casting Director for Stories on Stage in Sacramento, she was a member of the Steering Committee for the Sacramento’s Playwrights Collaborative for the past seven years.
We don’t usually feature non-fiction at Stories on Stage Sacramento but these are compelling issues tackled in different ways by excellent writers. We’re excited to present these two very different uses of history as a jumping-off place. Mary Volmer is a Grass Valley, CA native and a much-praised writer of historic fiction (Crown of Dust and her just-published Reliance, Illinois.) Crown of Dust, set during the Gold Rush, earned a Publisher’s Weekly starred review and drew praise from The New York Times Sunday Review of Books for “investing her pioneers with piquant inner lives and a poker-faced lyricism.” Similar praise has arrived for Reliance, Illinois, published in May 2016: Booklist singled out its “rich cast of characters and well-evoked setting” and Publisher’s Weekly noted its “smart touches of humor.” Mary earned an MFA in Creative Writing from Saint Mary’s College. a master’s from the University of Wales, Aberystwyth, and has been awarded residencies at the Vermont Studio Center and Hedgebrook. She teaches at Saint Mary’s College and lives in the San Francisco Bay area.
Reading an excerpt from Reliance, Illinois will be Mallory Monachino. A newcomer to Stories on Stage, Mallory recently returned to Sacramento after a year spent in Los Angeles studying with renowned acting coach Doug Warhit. She was last seen on stage in Sacramento in the EMH production Look Back In Anger and was the female lead in the short film Labyrinth, written and directed by Lonon Smith. A former competitive synchronized swimmer, Mallory works as a yoga instructor.
Reading an excerpt from Engineering Eden: The True Story of a Violent Death, a Trial, and the Fight Over Controlling Nature is Matt Rives, an actor, musician, and stand-up comedian. In addition to several Stories on Stage readings, Matthew has played lead roles in Noises Off and A Comedy of Errors and has performed by invitation at Laughs Unlimited, The Sacramento Comedy Spot, and Luna’s Café. His notable roles include “Franz Liebkind” in The Producers and “Buck Barrow” in Bonnie and Clyde with Runaway Stage Productions. Matthew also played the role of “The Captain” in the world premier of Frankenstein with Resurrection Theatre. Most recently, he played the role of Tom/Narrator in Glass Menagerie by Tennessee Williams, Mr. Aarons in Bridge to Terabitihia, and Henry Higgins in George Bernard Shaw’s Pygmalion.
We’re excited and so, so pleased to bring you not one but two featured authors this month. Lori Ostlund and Anne Raeff are both powerful and lyric writers, partners for more than 20 years and now, married. Other things you should know about them: they once owned an antique shop called “Two Serious Ladies,” referencing the novel by Jane Bowles, they’re both teachers who work primarily with immigrants and each of them has won the Flannery O’Connor Award for Short Fiction, one of the most coveted short story prizes in America. And, most importantly for Sacramento lovers of great fiction, they’re making their first joint appearance at Stories on Stage Sacramento on May 27,2016.
Award-winning collection, The Bigness of the World (newly issued in paperback,) is this from Publisher’s Weekly. “…Ostlund’s artful prose is playfully complex and illuminating, evocative and unsentimental…each piece is sublime.” The collection also won the Edmund White Debut Fiction Award, and the 2009 California Book Award for First Fiction. After the publication of her debut novel After the Parade in September 2015, no less an authority than the New York Times praised it as “a powerful debut…provides considerable pleasure and emotional power.” The novel won starred reviews from Kirkus and Publisher’s Weekly, was on the “best books of 2015” list for both NPR and Buzzfeed, and was shortlisted for the Center for Fiction’s First Novel Prize.
In her praise for Anne Raeff‘s winning collection The Jungle Around Us, legendary Flannery O’Connor Award editor Nancy Zafris explains why she selected the work for the 2015 prize: “A wonderfully mature vision informs the stories of The Jungle Around Us, stories that risk being termed old-fashioned—if old-fashioned means ditching self-consciousness and cleverness and bringing back hard-earned intelligence and historical weight and putting them all under a single multicultural roof. The miracle of these stories is their ultimate simplicity and intimacy even as they weave together numerous global threads.” Anne’s stories and essays have appeared in the New England Review, ZYZZYVA, and Guernica, among other places. Her first novel, Clara Mondschein’s Melancholia, was published in 2002. She’s a child of immigrants and much of her writing draws on her family’s history as refugees from war and the Holocaust.
Ireland, a multidisciplinary veteran of the film, television and theater trade, with sixteen years as a working professional in both performance and technical roles. The son of noted ‘lit noir’ author Patrick Ireland, Ethan is a writer & director of several short films, and has worked as a voice actor and a performer for both stage and screen since 1995. Most recently he appeared in EMH’s productions of After Hours and An Almost Perfect Person. He has performed at Now Hear This: A Story and Music Performance Series produced by Atim Udoffia.
The short story “Chinese Opera” from Anne Raeff’s The Jungle Around Us will be read by Kristine David, a local actor and musician in Northern California. She has been seen on many Sacramento stages including: B Street Theatre (Provenance, Bob,) Capital Stage (Mauritius, Much Ado About Nothing,) Sacramento Theater Company (Pride and Prejudice, Romeo and Juliet) & Big Idea Theatre (Inventing Van Gogh, Complete Female Stage Beauty.)
Stories on Stage Sacramento is excited to present
nca without passport, money, or credit cards, she could choose refuge in the American Embassy – or she could accept as hers the identity of a stranger, given to her by a mysterious police official. Her choice at this moment, and the following choices she makes, drive the relentless narrative and exploration of both physical and emotional identity in this engrossing novel by our March featured writer, author ,editor and
Cooper , the recent winner of the Tupelo Quarterly Prose Open Prize, judged by Pulitzer winner Adam Johnson. Jame also received First Place in Short Short Fiction in New Millennium Writings, 2013, and Second Place in Essay in Literal Latte, 2014. His short stories and poetry have appeared or are forthcoming in The Manhattan Review, Oberon Poetry Magazine, Gold Man Review, KY Story, Temenos,, Paper Swans Press, Folia Literary Magazine, and in other journals and anthologies. A full-length collection of poetry, titled An Ocean Large Enough, is forthcoming from WordTech. His current proje
ct is a wild collection of short stories about fictionalized therapy. Cooper is a practicing psychologist, which profession, he says, has” shaped him to lean in unexpected winds, to hold fast or be swept away in wonder. There is always context, amplified or subdued, a language in the hands, in posture, in the pauses between words.”
